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I began playing around with tube overdrives when I first heard Deep Purple’s raging Hammond organ sound on several of their live albums back in the 70’s.
#Chandler bk butler tube driver driver#
What lead to the creation of your Tube Driver for music (guitar)? “…There is no Butler / chandler Tube Driver really …matter of fact it’s ALL Butler…”
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Questions are in bold from John Roscoe while answers from BK Butler follow each question in blue: As many of the visitors to this site are aware, David Gilmour has used the Tube Driver since the late 1980’s and it has remained a vital piece of his recording and touring arsenal. Butler has taken time out of his busy schedule to answer a few questions for The TONE FROM HEAVEN. With the movement of many musicians to have vintage effects and get away from the multiprocessors to some degree, the original Tube Driver developed by BK Butler has been one of the most recognized and most sought after effect. Known throughout the world as the favorite pedals of Eric Johnson, David Gilmour, Billy Gibbons and countless others, the Tube Driver has maintained a foothold in mainstream tones since the ‘80’s. Butler which started the modern trend of tube overdrive devices. Tube Driver is the original brain child of B.K. Butler and THE one and only TUBE DRIVERĪn interview by John Roscoe for the TONE FROM HEAVEN Turning it to the right will open it up more while smoothing out the decay and thus, offering more sustain.B.K. Turning it to the left will give it a starved, sharp attack with a charmingly, spitty quality to it. Using a small flathead screwdriver, you are able to adjust the bias control of the effect. Bias Control- If you unscrew the the back of your Dover Drive, you’ll find a tiny trim pot toward the upper left of the board. Rolling back around 10:00 will give a darker, rounder sound, while moving around 2:00 will add clarity.
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Tone – Single band EQ will add or subtract presence to the effected signal. 1:00 and up starts to add sustain for leads, while remaining smooth and dynamic. Around 9:00 is good for a nice, bluesy rhythm. Gain – Controls the distortion amount of the effect. You’ll find unity gain between the effected and bypassed signal around 8:00-9:00. Volume – Controls the overall output of the effect. 9VDC, center negative adapter or 9V battery / Current draw 10mA True Bypass switching, making sure your signal is preserved when the effect is off Classic, touch sensitive, soaring leads b/w of chunky and pounding rhythm tones The Dover Drive’s tube-free design might mean it can’t deliver all the magic of an original Tube Driver, but it’s got a unique vibe, and is a killer all-around pedal that covers everything from mild overdrive to Fuzz Face-like assault.Īnd while the name might imply that the pedal is based on Johnson’s iconic “Cliffs of Dover” tone, Hermida says he sought inspiration from the guitar sound on Johnson’s “Righteous.” But focusing exclusively on Eric Johnson-like attributes overlooks that fact that the Dover Drive is a touch-responsive, dynamic, and wide-ranging overdrive suitable for any player who loves transitioning from “smooth” to “growl.” Butler and Chandler Tube Driver pedals that have powered everything from David Gilmour’s late-model stadium sound to J Mascis’s power jangle to Eric Johnson’s violin-like tone.
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Dover Drive, inspired by the tube-driven B.K.